NUCLEAR FAMILY 19769
THE
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Hutchinson encyclopedia article about Epopteia. Epopteia. Information about Epopteia in the Hutchinson encyclopedia.
encyclopedia.farlex.com/Epopteia
Eleusinian Mysteries
Ceremonies in honour of the Greek deities Demeter, goddess of corn, and her daughter Persephone, queen of the underworld, celebrated in the precincts of the temple of Demeter at Eleusis, in the territory of Athens. They formed the basis of a secret cult, requiring initiation for entrance. The rituals were agrarian in origin and had a strong chthonic (pertaining to the underworld) aspect, dealing with the cycle of growth and decay represented by Persephone's half-yearly absence from her mother.
Ritual
Knowledge of the mysteries is limited by the total secrecy surrounding the most sacred rites. The Lesser Mysteries took place in the spring, and the Greater Mysteries in the autumn. From the Homeric hymn to Demeter, it is assumed that they were concerned with Persephone's annual journeys between earth and the underworld. Persephone's descent to the underworld was represented in the Greater Mysteries, marking the dying away of vegetation and the storage of the seed corn in underground silos after harvest. Her return to her mother, a time of regeneration and spring sowing, was observed in the Lesser Mysteries. |
| The Greater Mysteries went on for nine days. After five days of preliminaries, a great procession took place along the Sacred Way from Eleusis to Athens. The followers chanted ‘iakkh' o iakkhe’, the personification of Iacchus, son of Demeter by Zeus, who was deemed to lead the initiates. The god was sometimes believed to be the reincarnation of Zagreus, son of Persephone and Zeus (transformed as a serpent), and was later identified with Dionysus. The initiation ceremony included a sacred marriage and other common fertility rites, but the most secret rituals were only known to contain ‘things spoken, things seen, and things performed’. Full initiates were called ‘seers’. |
| The chthonic nature of the ceremonies is indicated by reference to the dead as ‘Demeter's people’ in Athens. In Greek mythology, Heracles was initiated into the Eleusinian Mysteries to learn the way to and from the underworld, in order to fetch the guard-dog Cerberus as one of his labours. |
ADVENT GREEK TERMS
Index of Greek Terms
aielpkos (brother), 45
anaktoron (palace; a bui.lding at Eleusis),
94, 160n116, 163nlg
(necessity), 100
afJ4rchni (first-fruit offerings), 20 apomainestltai (to end frenzy), 171 fil56 aporrheton (forbidden, secret), 9 apostates (deserter), 151fi116 archigallos (head of galloi), 25, 104,
147n35
qitchon (chief magistrate), 4
aretai (virtues, glorious deeds), 16 arrheton (unspeakable), g, 69, gl, 106
and n. 109, 16gn115
bakcheia (frenzy inspired by Dionysus),
112
bakchos [fern. bakche] (initiate of Diony
sus), 5, g, 22, 34-35, 46-47, 105, 112
basileus (king; magistrate at Athens), 4,
37
~ bebakcluumenlM (inspired with frenzy by
.. Dionysus), !I!I and n. 50
9oukWpos (cattle-thief), 73, 158n7°
~olos (cowherd), 35
ca1l!nophori. See kannophoros cista my&tica. See /liste
datlUCMs (torch-bearer), 35, 37 wmon (demon), 113
tleilfl./lJ& (terrifying events), 93, 164n36
deipntln (meal), 110
demiurgos (creator), 86
dendropMros (tree-bearer), 36 didasMlia (instruction), 153fil4 drIJmena (things done, rituals), 38, 103,
114
eidt'(forms), 93
eltkle&ia (assembly, church), 31, 51-52 ekptexis (consternation), 163fil6 elencMs (refutation), 163n 16
entheos (possessed by a god), 112 epistates (supervisor), 37
'epopteia (watching; experience of epoptes
at Eleusis), 6g, 153fil4
epoptes (watcher; highest degree at the
Eleusinian mysteries), 43, gl-g2,
136n35, 163fil8
epopteuei1l! (to watch; to become epoptes
at Eleusis), 157n5g, 163fil8
euhai, eukoi (ritual cry at Dionysiac fes
tival), 22
gallos (castrated priest of Meter), 6, 25,
36,77,81, 103-104, 110, 113
gennetes (kinsman), 77
hetaira (courtesan), 107, 109 hieraphoros (bearer of sacred things), 39 hierokeryx (herald ofthe sacred),37 hierophnntes (he who shows sacred
things), 20-21,37,80-81, gl, 109, 153fil4, 163filg, 16gn118
Index of Greek Terms
173
hieros (sacred), 35,4°
hieros logos (sacred tale). 33, 70-71, 73 hikos (cheerful. gracious), 24
hygieia (health). III
hyle dektike (matter fit for receiving), 85
ialu:hagogos (he who guides Iakchos,
Eleusinian divinity), 49 iatreia (healing fees), 15 lsiakoi (adherents of Isis) , 26
kalathos (open basket). 23, 94 katabasis (descent). 25
kannophoros (reed-bearer), 36 katharmos (purification), 31
katharsis (purification), 19 and n. 32,
104n94. 113
katoche (detention, at a sanctuary). 4° kernos (composite vessel), 98
kiste (basket, covered with a lid), 7 and
n.31,23,4°.94,97.148n62 kline (couch). 110
koinon (common, club). 32, 44
krater (mixing bowl). 86, 106-107. 109 kriobolion (hitting the ram; a sacrifice),
110
kykeon (barley soup). 77.94. 108, 110 kymbala (cymbals). 23. 35, 98
liknon (winnowing basket), 23, 34, 78,
95-96.97-98. 106. 165n41
logos (speech, tale, account). 69-70, 7°
73.80-81.84,86-87.114
makaria (happiness), III
makarismos (pronouncing happy). 93
and n. 17
mania (frenzy), 1°4
mataioponia (labor in vain), 22
mathein (to learn), 89
melanophoros (wearing black). 39 menima (cause of wrath), 24 metragyrtes (beggar of the Mother God
dess), 35
mnemosyne (memory), 89, 150n83,
161n130
myein (to initiate), 7. 9. 37. 92. 153nl4,
157n59
myesis (initiation). 7. 10,4°
myrionymos (of countless names), 49-5° mysteria (mysteries). 6-10. 4°-41. 67.
75,80. 135nI6
mystes [pI. mystai] (initiate). 5, 8-9. 16. 18,22,27-28,4°,42-47,49.7°-71, 75,77-78,82,86,89-90.92.94.98. 102. 136n33. 150n98. 155n39.
158n7°
mystikos (mystic). 7. 67. 80
mystiPolos (celebrating mysteries), 10
narthex (cane; symbol of Dionysus), 34,
112
nomos (law), 31
oikos (house). 110
oknos (hesitation), 11, 102
ololyge (shriek), 96
omophagia (eating raw meat), Ill.
158n67
orgia (rituals). 9. 22, 33-34, 92, 104.
106. 109
orpheotelestes (initiation priest of Or
pheus), 33, 145n7
paradosis (transmission. tradition). 69
and n. 14. 137~1 paredros (divine consort), 6 pastOPhOTOS (carrying a shrine), 17, 39
4°
pastos (bed-curtain), 98 and n. 44. 107 pathos [pI. pathea, pathe] (suffering), 75
and n. 46, 89, 160n1l9
phallos (penis), 23, 34, 78, 95-96, 1°4
106
phasma(apparition).164n36
phroura (ward), 155n38. 16ln131 physiologountes (nature allegorists), 81 physis (nature), 79, 81
pistis (faith). 14 and n. 8
pithos (jar). 22
ploiaphesia (launching the ship; a fes
tival), 10
ploutodotes (giver of riches), 16-17 ploutos (riches). 20 and n. 36
polis (city-state), 31-32. 38. 44. 51 politeia (citizenship, civil activity). 51-52 pompe (procession), 44
174
Index of Greek Terms
proerosia (festival before sowing), 20 psyche (soul), 77, 86-87, 89, 95, 97, 114 ptoiesis (depressive anxiety), 113 and
n. 157
sindonophoros (wearing linen), 39 soteria (salvation), 14, 16, 18, 1631115 symbolon (token), 18,45-47
symmystes (fellow-initiate), 44 and n. 75 sympatheia (simultaneous affection, sym
pathy), 69, 74, 114
syndexioi Uoining right hands), 16 syngeneia (kinship), 77
synthema (password), 46, 94, 98, 100
telein (to celebrate, to initiate), 9, 69 telesterion (initiation hall), 5, 9, 92, 95,
97, 109, 16011116, 1631119
telestes (initiation priest), 9 and n. 4° telete (ceremony, initiation), 6, 9-10,
18-22,24,31-33,4°,45,7°,80-81,
84,87,89,98,100,114, 1341111, 155n38, 156n45, 161n129, 164n36
telos (consummation), 11,93 and n. 14,
97, 166n64, 169nl14 teloumenoi (those who are initiated), 69 theologia (speaking about gods), 7° and
n.17,78,87-88
theophoretos, theophorumenos (possessed
by a god), 35, 112
theos dia kolpou (god through the lap),
106 therapeutes (worshipper), 39 thiasos (religious association), 32, 34, 38,
41-45,68,96,114,143n60
thronismos (enthronement), 9° and n. 3,
164n36, 165n43
thyrsos (staff tipped with ornament; to
ken of worshippers of Dionysus),
143n60
time (honor), 44, 48 tympanon (tambourine), 19, 23, 35, 43,
98, 143n60
CITY OF REVELATION
John Michell 1972
Page 77
CHAPTER SEVEN
3168, The Perimeter of the Temple
"If the numbers of the sacred principles, mentioned by St John in connection with the New Jerusalem, are obtained from the Greek text by the cabalistic method of gematria, it is found that they correspond to the dimensions of the city, set out in Fig 16. (Figure omitted) For example, the perimeter of a hexagon contained within the circle representing the earth, 7920 feet in diameter, measures 2376 feet, and 2376 is the number of (Greek text omitted), the twelve apostles of the Lamb (Revelation 21.14). 2376 x 2 feet is equal to 1746 MY, and 1745 = (Greek text omitted), the twelve apostles. The names of the apostles are said to be in the twelve foundations of the wall of the city. The wall is the circle of diameter 7920 feet and 14,400 cubits in circumference, and the foundations are the twelve corners of the double hexagon inscribed within it, fonowing the customary pattern of an astrological chart. The position of the twelve apostles in the scheme is thus clearly defined.
Of all the canonical numbers the most notable is 3168. The New Jerusalem measures 48,000 furlongs or 31,680,000 feet round the perimeter of its four sides; the mean perimeter of the Stonehenge sarsen circle is 316.8 feet; the perimeter of the square 12 hides of Glastonbury is 31,680 feet; the significance of 31,680 in the canon of cosmology is illustrated in Fig.11, and we shall also find this number set round the border of Plato's mystical city, described in Laws.
Obviously the number 3168 had an important symbolic meaning, the Christian interpretation of which is provided in New Testament
gematria. The most sacred name of Christianity is (Greek text omitted);
(Greek text omitted), Lord Jesus Christ, and the number of these three words together is 3168. (Greek text omitted) is an astrological term meaning the ruler or dominant influence.
Another sacred phrase from the New Testament, (Greek text omitted) the Power of Christ (2 Corinthians 12.9) has the value 3168 if the alternative spelling of Christos, (Greek text omitted) is adopted.
Page 78
The perimeter of the temple is 3168, Lord Jesus Christ, when the temple is measured by the foot, the most sacred unit of ancient metrology. In terms of the megalithic yard (2.72 feet), however, the perimeter measures 1164, because 3168 feet = 1164 MY. Yet this makes no difference to the symbolic interpretation by gematria, for 1164 is the number of another name of Christ, (Greek text omitted) Son of God.
As a geodetic or earth-measuring number, 3168 also demonstrates the antiquity and sacred origin of British metrology, for
31,680 inches = half a mile
31,680 ft. = 6 miles.
31,680 furlongs = 3960 miles = radius of the earth.
31,680 miles = perimeter of square containing the terrestrial sphere.
31,680 miles = circumference of circle drawn on the combined diameters of the earth and moon (10,080 miles)
Other cosmological correspondences of 3168 are given on page 109.
The Stonehenge sarsen circle with circumference of 316.8 feet
contains an area of 888 square yards, 888 being the number of Jesus, which is equal to 1080 square MY. The circle contained within a square of perimeter 316.8 feet, corresponding to the bluestone circle at Stonehenge, has an area of 666 square MY. Thus the two stone circles at Stonehenge have areas of 1080 and 666 square MY, these two numbers representing the opposite poles of lunar and solar or negative and positive energy.
The number 144 or 122 is characteristic of the New Jerusalem scheme, and 3168 demonstrates the value of (pi symbol 22/7 omitted) in terms of this number, for 144 x 7 = 1008 and 144 x 22 = 3168.
3168 in Plato's city
A remarkable use of the number 3168 occurs in Plato's account in Book V of.Laws of the mystical dimensions of the perfect city. Throughout his work Plato makes guarded reference to a secret canon of numbers that applies universally to every aspect of human life and activity, including government, astronomy, acoustics, kinetics, plane and solid geometry and divination. Linear measurements, areas and volumes are obviously incommensurable, but Plato declares that there are certain numbers that link these with each other and with all phenomena capable of being measured. As an example of these numbers, the study of which Plato recommends as the most sanctifying of all pursuits, he gives 5040. This is the ideal number of citizens in the state and serves other purposes in con/ Page 79 / nection with the framing of laws and standards. The reason why it is most suitable for all matters of division is that for its size it has the greatest number of divisors, 60 in all, including the entire decad, the numbers 1 - 10. Another property of the number 5040 is that it is the radius of a circle with circumference 31,680. Further examination of the numerical foundations of Plato's state shows that the scheme to which he refers is the ancient plan of the cosmic temple.
The lawgivers in Plato's state are reminded that the perfect human society would be one in which all possessions, wives, children, land and chattels were held in common, where all the citizens were of one mind and acted together so harmoniously that it were as if eyes, ears and hands were also common property. To keep this ideal alive is the function of the prophet. Human nature and conditioning, however, demand a more practical alternative, 'very near to the first in immortality and second to it in merit'. This is provided in Laws V.
Plato's state is arranged in a manner that can scarcely be understood literally, and is obviously intended, like the New Jerusalem, as a geometer's allegory. The land is all divided into twelve parts, each dedicated to one of the twelve gods and populated by one of the twelve tribes of the 5040 households. The city is similarly divided, forming a microcosm of the state as a whole. In the centre of the city is the acropolis and 'from this centre he must divide up the city itself and the whole country into twelve parts. The twelve parts must be equalised by making those of good land small and those of inferior land greater. He must mark off 5040 allotments, and each of these he must cut in two and join two pieces to form the allotments, so that each contains a near piece and a distant piece - joining the piece next to the city with the piece furthest off, the second nearest with the second furthest, and so on with the rest.'
The only way in which this division can be represented is by a circle of radius 5040, a hundred times larger than that of Stonehenge measured in feet; the perimeter of this circle is 31 ,680. In Fig. 24 (Figure 24 omitted) the radius of the circle should be divided equally into 5040 parts to produce 5040 concentric circles. These are bisected into 10,080 semicircles by the diameter and positioned out in Plato's manner into 5040 double allotments, each of equal area.
In this scheme 31,680 is not only the circumference of the circular state, but also the area of each of its 2520 pairs of rings, proving Plato's assertion that linear and area pleasurements can be made / Page 80 / (Figure 24 omitted) commensurable by number. The entire circle is divided into two halves, each containing 39,916,800 square units of land. These numbers, which are inherent in the New Jerusalem scheme, have the following significance:
31,680 is divisible by all the numbers1-12 with the exception of 7
5040 = 1 x 2 x 3 x 4 x 5 x 6 x 7
39,916,800 = 1 x 2 x 3 x 4 x 5x 6 x 7 x 8 x 9 x.10 x 11
5040, the radius of the circular city, is the product of the numbers1 - 7; 7920, the side of the square city, is the product of numbers 8 - 11. In each case the perimeter of the city is 31,680. In Plato's Republic is the famous, cryptic reference to the 'marriage number', which should be consulted by the guardians of the state in all matters relating to the seasonal union of male and female. There appear to be two numbers involved, adding up to a third, but the riddle is so obscure that no firm solution has been reached despite the vast literature on the subject. For various reasons the number 12,960,000 or 36002 is most commonly proposed, and this would seem appropriate, for 12,960 = 5040 + 7920. 12,960 therefore represents the union of square and circle, symbol of the sacred marriage, and the gematria is also appropriate, for 1296 = (Greek text omitted) Mary mother of Jesus.
FIGURE 24 (Figure omitted) Plato's city divided into 5040 rings, Perimeter = 31,680, Areas: A + a = B + b = C + c = 31,680.
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|
|
8 |
|
93 |
30 |
|
|
|
|
|
Add to Reduce |
|
|
|
|
|
- |
1+1 |
Reduce to Deduce |
1+2+6 |
4+5 |
- |
|
|
|
|
Essence of Number |
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
- |
|
8 |
|
- |
|
|
|
|
|
5 |
|
1 |
|
|
|
1+4 |
|
|
|
|
|
|
|
- |
|
8 |
|
- |
|
|
|
|
|
14 |
|
19 |
|
|
|
4+1 |
|
|
- |
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
- |
2 |
|
5 |
- |
5 |
3 |
5 |
4 |
5 |
|
2 |
|
|
|
|
3+1 |
|
|
|
|
|
|
|
- |
20 |
|
5 |
- |
5 |
12 |
5 |
13 |
5 |
|
20 |
|
|
|
|
8+5 |
|
|
1+3 |
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
- |
20 |
8 |
5 |
- |
5 |
12 |
5 |
13 |
5 |
14 |
20 |
19 |
|
|
|
1+2+6 |
|
|
|
|
|
|
|
- |
2 |
8 |
5 |
- |
5 |
3 |
5 |
4 |
5 |
5 |
2 |
1 |
|
|
|
4+5 |
|
|
- |
|
|
|
|
11 |
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
|
|
- |
- |
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
|
- |
|
- |
|
|
- |
- |
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
|
- |
|
- |
|
|
- |
- |
|
|
3 |
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
3 |
- |
|
- |
|
- |
- |
|
|
|
|
|
4 |
|
|
|
|
|
|
|
occurs |
x |
|
= |
4 |
- |
|
- |
|
- |
- |
5 |
|
5 |
|
5 |
|
|
5 |
|
|
|
|
|
occurs |
x |
|
= |
25 |
2+5 |
|
|
|
- |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
|
- |
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
|
- |
8 |
- |
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
|
- |
|
|
|
- |
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2+2 |
1+1 |
- |
- |
5 |
|
5 |
|
5 |
|
|
5 |
|
|
|
|
2+3 |
|
|
1+1 |
|
4+5 |
|
2+7 |
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
2 |
8 |
5 |
- |
5 |
3 |
5 |
4 |
5 |
5 |
2 |
1 |
|
|
- |
|
|
|
|
- |
|
- |
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
|
8 |
|
- |
|
|
|
|
|
5 |
|
1 |
|
|
|
1+4 |
|
|
|
|
|
|
- |
|
8 |
|
- |
|
|
|
|
|
14 |
|
19 |
|
|
|
4+1 |
|
|
- |
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
2 |
|
5 |
- |
5 |
3 |
5 |
4 |
5 |
|
2 |
|
|
|
|
3+1 |
|
|
|
|
|
|
- |
20 |
|
5 |
- |
5 |
12 |
5 |
13 |
5 |
|
20 |
|
|
|
|
8+5 |
|
|
1+3 |
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
20 |
8 |
5 |
- |
5 |
12 |
5 |
13 |
5 |
14 |
20 |
19 |
|
|
|
1+2+6 |
|
|
|
|
|
|
- |
2 |
8 |
5 |
- |
5 |
3 |
5 |
4 |
5 |
5 |
2 |
1 |
|
|
|
4+5 |
|
|
- |
|
|
|
11 |
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
|
- |
- |
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
|
- |
|
|
|
- |
- |
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
|
- |
|
|
|
- |
- |
|
|
3 |
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
3 |
- |
|
|
- |
- |
|
|
|
|
|
4 |
|
|
|
|
|
|
|
occurs |
x |
|
= |
4 |
- |
|
|
- |
- |
5 |
|
5 |
|
5 |
|
|
5 |
|
|
|
|
|
occurs |
x |
|
= |
25 |
2+5 |
|
|
- |
8 |
- |
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
|
- |
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+1 |
- |
- |
5 |
|
5 |
|
5 |
|
|
5 |
|
|
|
|
2+3 |
|
|
1+1 |
|
4+5 |
|
2+7 |
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
8 |
5 |
- |
5 |
3 |
5 |
4 |
5 |
5 |
2 |
1 |
|
|
- |
|
|
|
|
- |
|
- |
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
4 |
ZERO |
64 |
28 |
1 |
1 |
3
|
ONE |
34
|
16
|
7
|
2 |
3
|
TWO |
58
|
13
|
4
|
3 |
5
|
THREE |
56
|
29
|
2
|
4 |
4
|
FOUR |
60
|
24
|
6
|
5 |
4
|
FIVE |
42
|
24
|
6
|
6 |
3
|
SIX |
52
|
16
|
7
|
7 |
5
|
SEVEN |
65
|
20
|
2
|
8 |
5
|
EIGHT |
49
|
31
|
4
|
9 |
4
|
NINE |
42
|
24
|
6
|
45 |
40 |
- |
522 |
225 |
45 |
4+5 |
4+0 |
- |
5+2+2 |
2+2+5 |
4+5 |
9 |
4 |
- |
9 |
9 |
9 |
|
|
|
|
|
|
38 |
20 |
2 |
- |
- |
2 |
- |
- |
- |
- |
- |
- |
- |
- |
|
2 |
|
|
|
|
|
|
28 |
10 |
1 |
- |
1 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
|
1 |
|
|
|
|
|
|
35 |
17 |
8 |
- |
- |
- |
- |
- |
- |
- |
- |
8 |
- |
- |
|
8 |
|
|
|
|
|
|
42 |
15 |
6 |
- |
- |
- |
- |
- |
- |
6 |
- |
- |
- |
- |
|
6 |
|
|
|
|
|
|
90 |
36 |
9 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
9 |
- |
|
9 |
|
|
|
|
|
|
52 |
16 |
7 |
- |
- |
- |
- |
- |
- |
- |
7 |
- |
- |
- |
|
7 |
|
|
|
|
|
|
26 |
8 |
8 |
- |
- |
- |
- |
- |
- |
- |
- |
8 |
- |
- |
|
8 |
|
|
|
|
|
|
54 |
18 |
9 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
9 |
- |
|
9 |
|
|
|
|
|
|
45 |
18 |
9 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
9 |
- |
|
9 |
|
|
|
|
|
|
45 |
18 |
9 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
9 |
- |
|
9 |
|
|
|
|
|
|
33 |
15 |
6 |
- |
- |
- |
- |
- |
- |
6 |
- |
- |
- |
- |
|
6 |
|
|
|
|
|
|
34 |
7 |
7 |
- |
- |
- |
- |
- |
- |
- |
7 |
- |
- |
- |
|
7 |
|
|
|
|
|
|
35 |
8 |
8 |
- |
- |
- |
- |
- |
- |
- |
- |
8 |
- |
- |
|
8 |
|
|
|
|
|
|
33 |
15 |
6 |
- |
- |
- |
- |
- |
- |
6 |
- |
- |
- |
- |
|
6 |
|
|
|
|
|
|
87 |
42 |
6 |
- |
- |
- |
- |
- |
- |
6 |
- |
- |
- |
- |
|
6 |
|
|
|
|
|
|
25 |
16 |
7 |
- |
- |
- |
- |
- |
- |
- |
7 |
- |
- |
- |
|
7 |
|
|
|
|
|
|
41 |
23 |
5 |
- |
- |
- |
- |
- |
5 |
- |
- |
- |
- |
- |
|
5 |
|
|
|
|
|
SIGMA |
49 |
22 |
7 |
- |
- |
- |
- |
- |
- |
- |
7 |
- |
- |
- |
SIGMA |
7 |
|
|
|
|
|
|
42 |
6 |
6 |
- |
- |
- |
- |
- |
- |
6 |
- |
- |
- |
- |
|
6 |
|
|
|
|
|
|
106 |
34 |
7 |
- |
- |
- |
- |
- |
- |
- |
7 |
- |
- |
- |
|
7 |
|
|
|
|
|
|
33 |
24 |
6 |
- |
- |
- |
- |
- |
- |
6 |
- |
- |
- |
- |
|
6 |
|
|
|
|
|
|
20 |
20 |
2 |
- |
- |
2 |
- |
- |
- |
- |
- |
- |
- |
- |
|
2 |
|
|
|
|
|
|
44 |
17 |
8 |
- |
- |
- |
- |
- |
- |
- |
- |
8 |
- |
- |
|
8 |
|
|
|
|
|
|
41 |
23 |
5 |
- |
- |
- |
- |
- |
5 |
- |
- |
- |
- |
- |
|
5 |
|
|
|
|
|
|
1078 |
|
151 |
- |
1 |
4 |
- |
- |
10 |
36 |
35 |
32 |
36 |
- |
|
151 |
|
|
1+1+4 |
|
1+0+0 |
|
1+0+7+8 |
4+4+8 |
1+5+1 |
- |
- |
- |
- |
- |
1+0 |
3+6 |
3+5 |
3+2 |
3+6 |
- |
|
1+5+1 |
|
|
|
|
|
|
16 |
16 |
7 |
- |
1 |
4 |
- |
- |
1 |
9 |
8 |
5 |
9 |
- |
|
7 |
|
|
|
|
|
|
1+6 |
1+6 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
|
- |
|
|
|
|
|
|
7 |
7 |
7 |
- |
1 |
4 |
- |
- |
1 |
9 |
8 |
5 |
9 |
- |
|
7 |
|
|
|
|
|
|
90 |
36 |
9 |
|
|
|
|
|
|
54 |
18 |
9 |
|
|
|
|
|
|
45 |
18 |
9 |
|
|
|
|
|
|
45 |
18 |
9 |
|
|
|
|
|
|
234 |
|
36 |
|
|
1+8 |
|
2+1 |
|
2+3+4 |
9+0 |
3+6 |
|
|
|
|
|
|
9 |
9 |
9 |
|
|
|
|
|
|
35 |
17 |
8 |
|
|
|
|
|
|
26 |
8 |
8 |
|
|
|
|
|
|
35 |
8 |
8 |
|
|
|
|
|
|
44 |
17 |
8 |
|
|
|
|
|
|
140 |
|
32 |
|
|
2+4 |
|
1+3 |
|
1+4+0 |
5+0 |
3+2 |
|
|
|
|
|
|
5 |
5 |
5 |
|
|
|
|
|
|
52 |
16 |
7 |
|
|
|
|
|
|
34 |
7 |
7 |
|
|
|
|
|
|
25 |
16 |
7 |
|
|
|
|
|
SIGMA |
49 |
22 |
7 |
|
|
|
|
|
|
106 |
34 |
7 |
|
|
|
|
|
|
266 |
|
32 |
|
|
2+2 |
|
2+0 |
|
2+6+6 |
5+0 |
3+2 |
|
|
|
|
|
|
14 |
|
5 |
|
|
|
|
|
|
1+4 |
5+0 |
3+2 |
|
|
|
|
|
|
5 |
5 |
5 |
|
|
|
|
|
|
42 |
15 |
6 |
|
|
|
|
|
|
33 |
15 |
6 |
|
|
|
|
|
|
33 |
15 |
6 |
|
|
|
|
|
|
87 |
42 |
6 |
|
|
|
|
|
|
42 |
6 |
6 |
|
|
|
|
|
|
33 |
24 |
6 |
|
|
|
|
|
|
270 |
|
36 |
|
|
2+7 |
|
2+6 |
|
2+7+0 |
1+1+7 |
3+6 |
|
|
|
|
|
|
9 |
9 |
9 |
|
|
|
|
|
|
41 |
23 |
5 |
|
|
|
|
|
|
41 |
23 |
5 |
|
|
|
|
|
|
82 |
|
10 |
|
|
1+5 |
|
- |
|
8+2 |
4+6 |
1+0 |
|
|
|
|
|
|
10 |
|
1 |
|
|
|
|
|
|
1+0 |
1+0 |
- |
|
|
|
|
|
|
1 |
1 |
1 |
FOUR NONE NONE FOUR
THREE NONE NONE THREE
|
|
|
|
|
|
38 |
20 |
2 |
|
|
|
|
|
|
20 |
20 |
2 |
|
|
|
|
|
|
58 |
|
|
|
|
|
|
- |
|
5+8 |
4+0 |
- |
|
|
|
|
|
|
13 |
|
|
|
|
|
|
|
|
1+3 |
- |
- |
|
|
|
|
|
|
4 |
4 |
4 |
|
|
|
|
|
|
90 |
36 |
9 |
|
|
|
|
|
|
54 |
18 |
9 |
|
|
|
|
|
|
45 |
18 |
9 |
|
|
|
|
|
|
45 |
18 |
9 |
|
|
|
|
|
|
234 |
|
36 |
|
|
1+8 |
|
2+1 |
|
2+3+4 |
9+0 |
3+6 |
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9 |
9 |
9 |
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42 |
15 |
6 |
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33 |
15 |
6 |
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33 |
15 |
6 |
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87 |
42 |
6 |
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42 |
6 |
6 |
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33 |
24 |
6 |
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|
270 |
|
36 |
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|
2+7 |
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2+6 |
|
2+7+0 |
1+1+7 |
3+6 |
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9 |
9 |
9 |
All about the planets in our Solar System. The nine planets that orbit the sun are (in order from the sun): Mercury,Venus, Earth, Mars, Jupiter, Saturn, ... www.enchantedlearning.com/subjects/astronomy/planets
Our solar system consists of the sun, eight planets, moons, dwarf planets, an asteroid belt, comets, meteors, and others. The sun is the center of our solar system; the planets, their moons, the asteroids, comets, and other rocks and gas all orbit the sun.
The nine planets that orbit the sun are (in order from the sun): Mercury,Venus, Earth, Mars, Jupiter, Saturn, Uranus, Neptune, and Pluto (a dwarf planet). A belt of asteroids (minor planets made of rock and metal) lies between Mars and Jupiter. These objects all orbit the sun in roughly circular orbits that lie in the same plane, the ecliptic (Pluto is an exception; it has an elliptical orbit tilted over 17° from the ecliptic).
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33 |
15 |
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93 |
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Essence of Number |
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DECIPHER
MANKIND HAD 1200 YEARS YEARS
TO CRACK THE CODE WE HAVE
ONE WEEK LEFT
Stel Pavlou
Page 357
24 hours
"We live in a universe of patterns. Every night the stars move in circles across the sky. The seasons cycle at yearly inter vals. No two snowflakes are ever exactly the same, but the all have sixfold symmetry. Tigers and zebras are covered in patterns of stripes; leopards and hyenas are covered in pat terns of spots. Intricate trains of waves march across the oceans; very similar trains of sand dunes march across the desert . . . By using mathematics... we have discovered great secret: nature's patterns are not just there to be admired, they are vital clues to the rules that govern natural processes."
Ian Stewart, Nature's Numbers, 1995
EUS USE USE EUS
ODYSSEUS
PERSEUS
ZEUS
THESEUS
ORPHEUS
PROMETHEUS
EUS USE USE EUS
5+3+1 3+5+1 3+5+1 5+3+1
- |
ODYSSEUS |
- |
- |
- |
|
O+D+Y+S+S |
82 |
19 |
|
|
E |
5 |
5 |
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|
U |
21 |
3 |
|
|
S |
19 |
1 |
|
8 |
ODYSSEUS |
127 |
28 |
19 |
- |
- |
1+2+7 |
2+8 |
1+9 |
8 |
ODYSSEUS |
10 |
10 |
10 |
- |
- |
1+0 |
1+0 |
1+0 |
8 |
ODYSSEUS |
1 |
1 |
1 |
PERSEUS PURSUES
- |
PERSEUS |
- |
- |
- |
|
P+E+R+S |
58 |
22 |
4 |
|
E |
5 |
5 |
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U |
21 |
3 |
|
|
S |
19 |
1 |
|
7 |
PERSEUS |
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- |
- |
1+0+3 |
3+1 |
2+2 |
7 |
PERSEUS |
|
|
|
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- |
1+3 |
- |
- |
|
PERSEUS |
|
|
|
- |
PERSEUS |
- |
- |
- |
2 |
PE |
21 |
12 |
3 |
1 |
R |
18 |
9 |
9 |
2 |
SE |
24 |
6 |
6 |
1 |
U |
21 |
3 |
3 |
1 |
S |
19 |
1 |
1 |
7 |
PERSEUS |
|
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|
- |
- |
1+0+3 |
3+1 |
2+2 |
7 |
PERSEUS |
|
|
|
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- |
1+3 |
- |
- |
|
PERSEUS |
|
|
|
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THESEUS |
- |
- |
- |
|
THES |
52 |
16 |
7 |
|
E |
5 |
5 |
|
|
U |
21 |
3 |
|
|
S |
19 |
1 |
|
7 |
THESEUS |
|
|
|
- |
- |
9+7 |
2+5 |
1+6 |
7 |
THESEUS |
|
|
|
|
- |
1+6 |
- |
- |
|
THESEUS |
|
|
|
- |
ORPHEUS |
- |
- |
- |
|
ORPH |
57 |
30 |
|
|
E |
5 |
5 |
|
|
U |
21 |
3 |
|
|
S |
19 |
1 |
|
7 |
ORPHEUS |
102 |
39 |
17 |
- |
- |
1+0+2 |
3+9 |
1+7 |
7 |
ORPHEUS |
3 |
12 |
3 |
- |
- |
- |
1+2 |
- |
7 |
ORPHEUS |
3 |
3 |
3 |
- |
PROMETHEUS |
- |
- |
- |
|
PROMETH |
95 |
41 |
|
|
E |
5 |
5 |
|
|
U |
21 |
3 |
|
|
S |
19 |
1 |
|
10 |
PROMETHEUS |
71 |
17 |
17 |
1+0 |
- |
7+1 |
1+7 |
1+7 |
1 |
PROMETHEUS |
8 |
8 |
8 |
|
HERCULES |
- |
- |
- |
|
HERCU |
55 |
28 |
1 |
|
L |
12 |
3 |
|
|
E |
5 |
5 |
|
|
S |
19 |
1 |
|
8 |
HERCULES |
|
|
|
- |
- |
9+7 |
2+5 |
1+6 |
8 |
HERCULES |
|
|
|
|
- |
1+6 |
- |
- |
|
HERCULES |
|
|
|
|
ACHILLES |
- |
- |
- |
|
ACHIL |
33 |
24 |
6 |
|
L |
12 |
3 |
|
|
E |
5 |
5 |
|
|
S |
19 |
1 |
|
8 |
ACHILLES |
|
|
|
- |
- |
9+7 |
2+5 |
1+6 |
8 |
ACHILLES |
|
|
|
|
- |
1+6 |
- |
- |
|
ACHILLES |
|
|
|
- |
ZEUS |
- |
- |
- |
|
Z |
26 |
8 |
|
|
EUS |
45 |
9 |
|
|
ZEUS |
- |
- |
- |
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
ODYSSEUS |
- |
- |
- |
|
ODYSS |
82 |
19 |
|
|
EUS |
45 |
9 |
|
|
ODYSSEUS |
- |
- |
- |
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
PERSEUS |
- |
- |
- |
|
PERS |
58 |
22 |
4 |
|
EUS |
45 |
9 |
|
7 |
PERSEUS |
- |
- |
- |
|
- |
- |
- |
- |
|
- |
- |
- |
- |
|
THESEUS |
- |
- |
- |
|
THES |
52 |
16 |
7 |
|
EUS |
45 |
9 |
|
|
THESEUS |
- |
- |
- |
|
- |
- |
- |
- |
|
- |
- |
- |
- |
|
ORPHEUS |
- |
- |
- |
|
ORPH |
57 |
30 |
3 |
|
EUS |
45 |
9 |
|
|
ORPHEUS |
- |
- |
- |
|
- |
- |
- |
- |
|
- |
- |
- |
- |
- |
PROMETHEUS |
- |
- |
- |
|
PROMETH |
95 |
41 |
|
|
EUS |
45 |
9 |
|
| 10 |
PROMETHEUS |
- |
- |
- |
|
- |
- |
- |
- |
|
- |
- |
- |
- |
|
HERCULES |
- |
- |
- |
|
HERCU |
55 |
28 |
1 |
|
LES |
36 |
9 |
|
|
HERCULES |
- |
- |
- |
|
- |
- |
- |
- |
|
- |
- |
- |
- |
|
ACHILLES |
- |
- |
- |
|
ACHIL |
55 |
28 |
1 |
|
LES |
36 |
9 |
|
|
ACHILLES |
- |
- |
- |
- |
ZEUS |
- |
- |
- |
|
Z |
- |
- |
- |
|
EUS |
45 |
9 |
|
|
ZEUS |
- |
- |
- |
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
ODYSSEUS |
- |
- |
- |
|
ODYSS |
- |
- |
- |
|
EUS |
45 |
9 |
|
|
ODYSSEUS |
- |
- |
- |
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
PERSEUS |
- |
- |
- |
|
PERS |
- |
- |
- |
|
EUS |
45 |
9 |
|
7 |
PERSEUS |
- |
- |
- |
|
- |
- |
- |
- |
|
- |
- |
- |
- |
|
THESEUS |
- |
- |
- |
|
THES |
- |
- |
- |
|
EUS |
45 |
9 |
|
|
THESEUS |
- |
- |
- |
|
- |
- |
- |
- |
|
- |
- |
- |
- |
|
ORPHEUS |
- |
- |
- |
|
ORPH |
- |
- |
- |
|
EUS |
45 |
9 |
|
|
ORPHEUS |
- |
- |
- |
|
- |
- |
- |
- |
|
- |
- |
- |
- |
- |
PROMETHEUS |
- |
- |
- |
|
PROMETH |
- |
- |
- |
|
EUS |
45 |
9 |
|
10 |
PROMETHEUS |
- |
- |
- |
|
- |
- |
- |
- |
|
- |
- |
- |
- |
|
HERCULES |
- |
- |
- |
|
HERCU |
- |
- |
- |
|
LES |
36 |
9 |
|
|
HERCULES |
- |
- |
- |
|
- |
- |
- |
- |
|
- |
- |
- |
- |
|
ACHILLES |
- |
- |
- |
|
ACHIL |
- |
- |
- |
|
LES |
36 |
9 |
|
|
ACHILLES |
- |
- |
- |
- |
ZEUS |
E |
U |
S |
|
Z |
- |
- |
- |
|
EUS |
5 |
3 |
|
|
ZEUS |
- |
- |
- |
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
ODYSSEUS |
- |
- |
- |
|
ODYSS |
- |
- |
- |
|
EUS |
5 |
3 |
|
|
ODYSSEUS |
- |
- |
- |
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
PERSEUS |
- |
- |
- |
|
PERS |
- |
- |
- |
|
EUS |
5 |
3 |
|
7 |
PERSEUS |
- |
- |
- |
|
- |
- |
- |
- |
|
- |
- |
- |
- |
|
THESEUS |
- |
- |
- |
|
THES |
- |
- |
- |
|
EUS |
5 |
3 |
|
|
THESEUS |
- |
- |
- |
|
- |
- |
- |
- |
|
- |
- |
- |
- |
|
ORPHEUS |
- |
- |
- |
|
ORPH |
- |
- |
- |
|
EUS |
5 |
3 |
|
|
ORPHEUS |
- |
- |
- |
|
- |
- |
- |
- |
|
- |
- |
- |
- |
- |
PROMETHEUS |
- |
- |
- |
|
PROMETH |
- |
- |
- |
|
EUS |
5 |
3 |
|
10 |
PROMETHEUS |
- |
- |
- |
Morpheus - Wikipedia
en.wikipedia.org › wiki › Morpheus
Morpheus is a god associated with sleep and dreams. In Ovid's Metamorphoses he is the son of Somnus and appears in dreams in human form.
Ovid
In Ovid's Metamorphoses, Morpheus is one of the thousand sons of Somnus (Sleep).[3] His name derives from the Greek word for form (µ??f?), and his function was to appear in dreams in human guise. According to Ovid "no other is more skilled than he in representing the gait, the features, and the speech of men; the clothing also and the accustomed words of each he represents."[4] Like other gods associated with sleep, Ovid makes Morpheus winged.[5]
Ovid called Morpheus and his brothers, the other sons of Somnus, the Somnia ("dream shapes"), saying that they appear in dreams "mimicking many forms".[6] Ovid gives names to two more of these sons of Sleep. One called Icelos ('Like'), by the gods, but Phobetor ('Frightener') by men, "takes the form of beast or bird or the long serpent", and Phantasos ('Fantasy'), who "puts on deceptive shapes of earth, rocks, water, trees, all lifeless things".[7]
The three brothers' names are found nowhere earlier than Ovid, and are perhaps Ovidian inventions.[8] Tripp calls these three figures "literary, not mythical concepts".[9] However, Griffin suggests that this division of dream forms between Morpheus and his brothers, possibly including their names, may have been of Hellenistic origin
M |
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1+5 |
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2+1+7 |
1+0+0 |
1+0 |
- |
- |
1 |
- |
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- |
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- |
- |
1+0 |
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1+0 |
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Orpheus Ancient Greek: , classical pronunciation: [or.p?eú?s]) is a legendary musician and prophet in ancient Greek religion. He was also a renowned poet and, according to the legend, travelled with Jason and the Argonauts in search of the Golden Fleece, and even descended into the Underworld of Hades to recover his lost wife Eurydice.[1]
Ancient Greek authors as Strabo and Plutarch note Orpheus' Thracian origins.[2][3][4] The major stories about him are centered on his ability to charm all living things and even stones with his music (the usual scene in Orpheus mosaics), his attempt to retrieve his wife Eurydice from the underworld, and his death at the hands of the maenads of Dionysus, who tired of his mourning for his late wife Eurydice. As an archetype of the inspired singer, Orpheus is one of the most significant figures in the reception of classical mythology in Western culture, portrayed or alluded to in countless forms of art and popular culture including poetry, film, opera, music, and painting.[5]
For the Greeks, Orpheus was a founder and prophet of the so-called "Orphic" mysteries.[6] He was credited with the composition of the Orphic Hymns and the Orphic Argonautica. Shrines containing purported relics of Orpheus were regarded as oracles.
Orpheus is a legendary musician and prophet in ancient Greek religion. He was also a renowned poet an
ording to the legend, travelled with Jason and the Argonauts in search of the Golden Fleece, and even descended into the Underworld of Hades... Wikipedia
The ancient legend of Orpheus and Eurydice concerns the fateful love of Orpheus of Thrace for the beautiful Eurydice. Orpheus was the son of Apollo and the muse Calliope. It may be a late addition to the Orpheus myths, as the latter cult-title... Wikipedia
Myth of Orpheus and Eurydice - Greeka
www.greeka.com › About Greece › Myths › Orpheus and Eurydice
Orpheus is known as the most talented music player of the ancient times. It is said that god Apollo was his father, from whom took his extreme talent in music, ...
The story of Orpheus and Eurydice is the ultimate tragic love story. Perhaps one of the most famous Greek myths, it has inspired many important painters, such as Peter Paul Rubens and Nicolas Poussin. Moreover, many operas, songs and plays have been composed to honour these two great lovers who tragically lost the chance to enjoy their love. The story of Orpheus and Eurydice has been told in many versions with a few differences between them. The earliest account comes from Ibycus (circa 530 BC), a Greek lyric poet. Hereby we present you a mixture of these various versions.
Discover the myth of Orpheus and Eurydice
Orpheus, talented at playing music Orpheus is known as the most talented music player of the ancient times. It is said that god Apollo was his father, from whom took his extreme talent in music, and the Muse Calliope was his mother. He was living in Thrace, on the northeastern part of Greece. Orpheus had a divinely gifted voice that could charm everyone who heard it. When he was presented first the lyre as a boy, he had it mastered in no time at all. The myth says that no god or mortal could resist his music and even the rocks and trees would move themselves to be near him.
According to some ancient texts, Orpheus is accredited to have taught agriculture, writing and medicine to the mankind. He is also attributed with having been an astrologer, a seer and founder of many mystic rites. The strange and ecstatic music of Orpheus would intrigue the mind of people to things over natural and had the power to broaden the mind to new unusual theories.
However, apart from a musical talent, Orpheus also had an adventurous character. He was believed to have taken part in the Argonautic expedition, which is the voyage of Jason and his fellow Argonauts to get to Colchis and steal the Golden Fleece. In fact, Orpheus played a vital role during the expedition because, playing his music, he put to sleep the "sleepless dragon" that was guarding the Golden Fleece and thus Jason managed to get the Fleece. Moreover, the music of Orpheus saved the Argonauts from the Sirens, the strange female-like creatures who were seducing men with their nice voice and then they were killing them.
Love at first sight
Orpheus used to spend much of his early years in the idyllic pursuits of music and poetry. His skill had far surpassed the fame and respect of his music. Humans and beasts alike would be enchanted by it and often even the most inanimate of objects would yearn to be near him. Well into his youth he had mastered the lyre and his melodious voice garnered him audiences from near and afar. It was at one such gathering of humans and beasts that his eyes fell on a wood nymph. The girl was called Eurydice, she was beautiful and shy. She had been drawn to Orpheus enamored by his voice and such was the spell of beauty in music and appearance that neither could cast their eyes off each other. Something inexplicable tugged the hearts of the two young people and soon they feltl dearly in love, unable to spend a single moment apart. After a while, they decided to get married.
Their wedding day dawned bright and clear. Hymenaios, the god of marriage, blessed their marriage and then a great feast followed. The surroundings were filled with laughter and gaiety. Soon the shadows grew large, signaling an end to the revelry that had lasted much of the day and the wedding guests all took leave of the newly-weds, who were still sitting hand-in-hand and starry eyed. They soon both realized that it was time they were on their way and departed for home.
The snake-bite
However, things would soon change and grief would ensue happiness. There was one man who was despising Orpheus and desired Eurydice for his own. Aristaeus, a shepherd, had plotted a plan to conquer the beautiful nymph. And there he was, waiting in the bushes for the young couple to pass by. Seeing that the lovers were approaching, he intended to jump on them and kill Orpheus. As the shepherd made his move, Orpheus grabbed Eurydice by the hand and started running pell-mell through the forest.
The chase was long and Aristaeus showed no signs of giving up or slowing down. On and on they ran and suddenly, Orpheus felt Eurydice stumble and fall, her hand slipping from his grasp. Unable to comprehend what had just happened, he rushed to her side but stopped short in dismay, for his eyes perceived the deathly pallor that suffused her cheeks. Looking around, he saw no trace of the shepherd for Aristaeus had witnessed the event and had left. Few steps away, Eurydice had stepped on a nest of snakes and had been bitten by a deadly viper. Knowing that there was no chance of survival, Aristaeus had abandoned his try, cursing his luck and Orpheus.
A supernatural plan
After the death of his beloved wife, Orpheus was no more the same carefree person he used to be. His life without Eurydice seemed endless and could do nothing more than grief for her. This is when he had a great but yet crazy idea: he decided to go to Underworld and try to get his wife back. Apollo, his father, would talk to Hades, the god of the Underworld, to accept him and hear his plea.
Armed with his weapons, the lyre and voice, Orpheus approached Hades and demanded entry into the underworld. None challenged him. Standing in front of the rulers of the dead, Orpheus said why he was there, in a voice both mellifluous and disquieting. He played his lyre and sang out to King Hades and Queen Persephone that Eurydice was returned to him. Not even the most stone-hearted of people or Gods could have neglected the hurt in his voice.
Hades openly wept, Persephone's heart melted and even Cerberus, the gigantic three-headed hound guarding the entry to the underworld, covered his many ears with his paws and howled in despair. The voice of Orpheus was so moving that Hades promised to this desperate man that Eurydice would follow him to the Upper World, the world of the living. However, he warned Orpheus that for no reason must he look back while his wife was still in the dark, for that would undo everything he hoped for. He should wait for Eurydice to get into the light before he looked at her.
With great faith in his heart and joy in his song, Orpheus began his journey out of the underworld, joyful that he would once again be reunited with his love. As Orpheus was reaching the exit of the Underworld, he could hear the footfalls of his wife approaching him. He wanted to turn around and hug her immediately but managed to control his feelings. As his was approaching the exit, his heart was beating faster and faster. The moment he stepped on the world of the living, he turned his head to hug his wife. Unfortunately, he got only a glimpse of Eurydice before she was once again drawn back into the underworld.
When Orpheus turned his head, Eurydice was still in the dark, she hadn't seen the sun and, as Hades had warned Orpheus, his sweet wife was drowned back to the dark world of the dead. Waves of anguish and despair swept over him and shuddering with grief he approached the Underworld again but this time, he was denied entry, the gates were standing shut and god Hermes, sent by Zeus, wouldn't let him in.
The death of Orpheus
From then on, the heart-broken musician was wandering disoriented, day after day, night after night, in total despair. He could find no consolation in anything. His misfortune tormented him, forcing him to abstain from contact with any other woman and slowly but surely he found himself shunning their company completely. His songs were no more joyful but extremely sad. His only comfort was to lay on a huge rock and feel the caress of the breeze, his only vision were the open skies.
And so it was that a group of irate women, furious for his scorn towards them, chanced upon him. Orpheus was so desperate that he did not even try to repulse their advances. The women killed him, cut his body into pieces and threw them and his lyre into a river. It is said that his head and his lyre floated downriver to the island of Lesvos. There the Muses found them and gave Orpheus a proper burial ceremony. People believed that his grave emanated music, plaintive yet beautiful. His soul descended down to Hades where he was finally reunited with his beloved Eurydice.
The comparison to a Bible scene
If you observe the above myth closely, you will find a comparison between this ancient Greek myth and a scene from the Bible. The myth of Orpheus and Eurydice is similar to the story of Lot. The analogy of "not looking back" is of great importance to both stories.
In the Book of Genesis, when God decided to destroy Sodom and Gomorrah, two cities drowned in sins, he ordered a good man, Lot, to take his family and leave the area. God told them to head for the mountains without looking back the city being destroyed. While they were leaving the city, Lot's wife couldn't resist and turned around to see the burning cities. She was immediately transformed into a pillar of salt! This may be inferred as a direct and terrifying consequence of disobedience towards God.
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MORPHEUS ORPHEUS |
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MORPHEUS |
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1+5 |
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1 |
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MORPHEUS ORPHEUS |
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2+1+7 |
1+0+0 |
1+0 |
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MORPHEUS ORPHEUS |
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1+0 |
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MORPHEUS ORPHEUS |
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MORPHEUS ORPHEUS |
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MORPHEUS |
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7 |
ORPHEUS |
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15 |
MORPHEUS ORPHEUS |
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43 |
- |
5 |
MORPHEUS |
115 |
52 |
43 |
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- |
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ORPHEUS |
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1 |
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39 |
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7 |
ORPHEUS |
102 |
48 |
39 |
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MORPHEUS ORPHEUS |
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M |
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MORPHEUS |
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12 |
14 |
16 |
18 |
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1+0 |
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1+5 |
ORPHEUS |
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1+2 |
1+2 |
1+4 |
1+6 |
1+8 |
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1 |
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MORPHEUS ORPHEUS |
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- |
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- |
2+1+7 |
1+0+0 |
1+0 |
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1 |
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MORPHEUS ORPHEUS |
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- |
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1+0 |
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1 |
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MORPHEUS ORPHEUS |
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- |
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MORPHEUS ORPHEUS |
- |
- |
- |
-3 |
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4 |
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MORPHEUS |
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6 |
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7 |
ORPHEUS |
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- |
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- |
15 |
MORPHEUS ORPHEUS |
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- |
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MORPHEUS |
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4 |
1 |
1 |
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1 |
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8 |
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6 |
1 |
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5 |
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2 |
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3 |
7 |
1 |
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21 |
3 |
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2 |
3 |
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S |
= |
1 |
8 |
1 |
S |
19 |
10 |
1 |
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1 |
2 |
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- |
- |
- |
O |
= |
6 |
9 |
1 |
O |
15 |
6 |
6 |
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2 |
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6 |
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R |
= |
9 |
10 |
1 |
R |
18 |
9 |
9 |
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2 |
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9 |
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11 |
1 |
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16 |
7 |
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2 |
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7 |
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= |
8 |
12 |
1 |
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8 |
8 |
8 |
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2 |
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8 |
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= |
5 |
13 |
1 |
E |
5 |
5 |
5 |
- |
- |
2 |
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- |
5 |
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U |
= |
3 |
14 |
1 |
U |
21 |
3 |
3 |
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- |
2 |
3 |
- |
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- |
- |
- |
- |
S |
= |
1 |
15 |
1 |
S |
19 |
10 |
1 |
- |
1 |
2 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
39 |
- |
7 |
ORPHEUS |
102 |
48 |
39 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
MORPHEUS ORPHEUS |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
M |
- |
|
- |
15 |
MORPHEUS |
|
|
|
- |
|
|
|
|
|
12 |
14 |
16 |
18 |
O |
= |
1+0 |
- |
1+5 |
ORPHEUS |
|
|
|
- |
- |
- |
- |
- |
1+2 |
1+2 |
1+4 |
1+6 |
1+8 |
- |
- |
1 |
- |
|
MORPHEUS ORPHEUS |
|
|
|
- |
|
|
|
|
|
|
|
|
|
- |
- |
- |
- |
- |
- |
2+1+7 |
1+0+0 |
1+0 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
1 |
- |
|
MORPHEUS ORPHEUS |
|
|
|
- |
|
|
|
|
|
|
|
|
|
- |
- |
- |
- |
- |
- |
1+0 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
1 |
- |
|
MORPHEUS ORPHEUS |
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|
|
- |
|
|
|
|
|
|
|
|
|
LETTERS TRANSPOSED INTO NUMBERS REARRANGED IN NUMERICAL ORDER
- |
- |
- |
- |
- |
MORPHEUS ORPHEUS |
- |
- |
- |
-3 |
|
|
|
|
|
|
|
|
|
M |
- |
4 |
- |
8 |
MORPHEUS |
|
|
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
O |
= |
6 |
- |
7 |
ORPHEUS |
|
|
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
|
- |
15 |
MORPHEUS ORPHEUS |
|
|
|
- |
|
|
|
|
|
|
|
|
|
- |
- |
- |
- |
- |
- |
- |
-3 |
- |
-3 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
-3 |
- |
- |
- |
MORPHEUS |
- |
-3 |
- |
- |
|
|
|
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|
|
|
|
|
S |
= |
1 |
8 |
1 |
S |
19 |
10 |
1 |
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1 |
2 |
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S |
= |
1 |
15 |
1 |
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19 |
10 |
1 |
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1 |
2 |
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U |
= |
3 |
7 |
1 |
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21 |
3 |
3 |
- |
- |
2 |
3 |
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U |
= |
3 |
14 |
1 |
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21 |
3 |
3 |
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2 |
3 |
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M |
= |
4 |
1 |
1 |
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13 |
4 |
4 |
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- |
2 |
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4 |
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- |
- |
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= |
5 |
6 |
1 |
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5 |
5 |
5 |
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- |
2 |
- |
- |
5 |
- |
- |
- |
- |
E |
= |
5 |
13 |
1 |
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5 |
5 |
5 |
- |
- |
2 |
- |
- |
5 |
- |
- |
- |
- |
O |
= |
6 |
2 |
1 |
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15 |
6 |
6 |
- |
- |
2 |
- |
- |
- |
6 |
- |
- |
- |
O |
= |
6 |
9 |
1 |
O |
15 |
6 |
6 |
- |
- |
2 |
- |
- |
- |
6 |
- |
- |
- |
P |
= |
7 |
4 |
1 |
P |
16 |
7 |
7 |
- |
- |
2 |
- |
- |
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7 |
- |
- |
P |
= |
7 |
11 |
1 |
P |
16 |
7 |
7 |
- |
- |
2 |
- |
- |
- |
- |
7 |
- |
- |
H |
= |
8 |
5 |
1 |
H |
8 |
8 |
8 |
- |
- |
2 |
- |
- |
- |
- |
- |
8 |
- |
H |
= |
8 |
12 |
1 |
H |
8 |
8 |
8 |
- |
- |
2 |
- |
- |
- |
- |
- |
8 |
- |
R |
= |
9 |
3 |
1 |
R |
18 |
9 |
9 |
- |
- |
2 |
- |
- |
- |
- |
- |
- |
9 |
R |
= |
9 |
10 |
1 |
R |
18 |
9 |
9 |
- |
- |
2 |
- |
- |
- |
- |
- |
- |
9 |
- |
- |
39 |
- |
7 |
ORPHEUS |
102 |
48 |
39 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
MORPHEUS ORPHEUS |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
M |
- |
|
- |
15 |
MORPHEUS |
|
|
|
- |
|
|
|
|
|
12 |
14 |
16 |
18 |
O |
= |
1+0 |
- |
1+5 |
ORPHEUS |
|
|
|
- |
- |
- |
- |
- |
1+2 |
1+2 |
1+4 |
1+6 |
1+8 |
- |
- |
1 |
- |
|
MORPHEUS ORPHEUS |
|
|
|
- |
|
|
|
|
|
|
|
|
|
- |
- |
- |
- |
- |
- |
2+1+7 |
1+0+0 |
1+0 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
1 |
- |
|
MORPHEUS ORPHEUS |
|
|
|
- |
|
|
|
|
|
|
|
|
|
- |
- |
- |
- |
- |
- |
1+0 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
1 |
- |
|
MORPHEUS ORPHEUS |
|
|
|
- |
|
|
|
|
|
|
|
|
|
- |
- |
- |
- |
- |
MORPHEUS ORPHEUS |
- |
- |
- |
-3 |
|
|
|
|
|
|
|
|
M |
- |
4 |
- |
8 |
MORPHEUS |
|
|
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
O |
= |
6 |
- |
7 |
ORPHEUS |
|
|
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
|
- |
15 |
MORPHEUS ORPHEUS |
|
|
|
- |
|
|
|
|
|
|
|
|
- |
- |
- |
- |
- |
- |
- |
-3 |
- |
-3 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
-3 |
- |
- |
- |
MORPHEUS |
- |
-3 |
- |
- |
|
|
|
|
|
|
|
|
S |
= |
1 |
8 |
1 |
S |
19 |
10 |
1 |
- |
1 |
- |
- |
- |
- |
- |
- |
- |
S |
= |
1 |
15 |
1 |
S |
19 |
10 |
1 |
- |
1 |
- |
- |
- |
- |
- |
- |
- |
U |
= |
3 |
7 |
1 |
U |
21 |
3 |
3 |
- |
- |
3 |
- |
- |
- |
- |
- |
- |
U |
= |
3 |
14 |
1 |
U |
21 |
3 |
3 |
- |
- |
3 |
- |
- |
- |
- |
- |
- |
M |
= |
4 |
1 |
1 |
M |
13 |
4 |
4 |
- |
- |
- |
4 |
- |
- |
- |
- |
- |
E |
= |
5 |
6 |
1 |
E |
5 |
5 |
5 |
- |
- |
- |
- |
5 |
- |
- |
- |
- |
E |
= |
5 |
13 |
1 |
E |
5 |
5 |
5 |
- |
- |
- |
- |
5 |
- |
- |
- |
- |
O |
= |
6 |
2 |
1 |
O |
15 |
6 |
6 |
- |
- |
- |
- |
- |
6 |
- |
- |
- |
O |
= |
6 |
9 |
1 |
O |
15 |
6 |
6 |
- |
- |
- |
- |
- |
6 |
- |
- |
- |
P |
= |
7 |
4 |
1 |
P |
16 |
7 |
7 |
- |
- |
- |
- |
- |
- |
7 |
- |
- |
P |
= |
7 |
11 |
1 |
P |
16 |
7 |
7 |
- |
- |
- |
- |
- |
- |
7 |
- |
- |
H |
= |
8 |
5 |
1 |
H |
8 |
8 |
8 |
- |
- |
- |
- |
- |
- |
- |
8 |
- |
H |
= |
8 |
12 |
1 |
H |
8 |
8 |
8 |
- |
- |
- |
- |
- |
- |
- |
8 |
- |
R |
= |
9 |
3 |
1 |
R |
18 |
9 |
9 |
- |
- |
- |
- |
- |
- |
- |
- |
9 |
R |
= |
9 |
10 |
1 |
R |
18 |
9 |
9 |
- |
- |
- |
- |
- |
- |
- |
- |
9 |
- |
- |
39 |
- |
7 |
ORPHEUS |
102 |
48 |
39 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
MORPHEUS ORPHEUS |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
M |
- |
|
- |
15 |
MORPHEUS |
|
|
|
- |
|
|
|
|
12 |
14 |
16 |
18 |
O |
= |
1+0 |
- |
1+5 |
ORPHEUS |
|
|
|
- |
- |
- |
- |
1+2 |
1+2 |
1+4 |
1+6 |
1+8 |
- |
- |
1 |
- |
|
MORPHEUS ORPHEUS |
|
|
|
- |
|
|
|
|
|
|
|
|
- |
- |
- |
- |
- |
- |
2+1+7 |
1+0+0 |
1+0 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
1 |
- |
|
MORPHEUS ORPHEUS |
|
|
|
- |
|
|
|
|
|
|
|
|
- |
- |
- |
- |
- |
- |
1+0 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
1 |
- |
|
MORPHEUS ORPHEUS |
|
|
|
- |
|
|
|
|
|
|
|
|
ANU 153 ANU
- |
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
5 |
|
|
|
|
|
= |
|
|
|
- |
|
|
14 |
|
|
|
|
1+4 |
= |
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
1 |
|
3 |
|
|
|
|
= |
|
|
|
- |
|
1 |
|
21 |
|
|
|
2+2 |
= |
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
1 |
14 |
21 |
|
|
|
3+6 |
= |
|
|
|
- |
|
1 |
5 |
3 |
|
|
|
|
= |
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
- |
-- |
- |
|
|
|
- |
|
|
occurs |
x |
|
= |
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
occurs |
x |
|
= |
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
occurs |
x |
|
= |
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
36 |
|
|
|
|
|
|
|
|
|
|
|
|
3+6 |
|
|
|
|
|
|
- |
- |
|
|
- |
- |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
1 |
5 |
3 |
|
|
|
|
|
|
|
- |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
5 |
|
|
|
|
|
= |
|
|
|
|
|
14 |
|
|
|
|
1+4 |
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
1 |
|
3 |
|
|
|
|
= |
|
|
|
|
1 |
|
21 |
|
|
|
2+2 |
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
1 |
14 |
21 |
|
|
|
3+6 |
= |
|
|
|
|
1 |
5 |
3 |
|
|
|
|
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
|
- |
|
|
occurs |
x |
|
= |
|
- |
|
|
|
|
|
|
occurs |
x |
|
= |
|
- |
|
|
|
|
|
|
occurs |
x |
|
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
- |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
5 |
3 |
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
YOU ARE GOING ON A JOURNEY A VERY SPECIAL JOURNEY DO HAVE A PLEASANT JOURNEY DO
|
REDEEMER |
- |
- |
- |
|
R |
18 |
9 |
9 |
|
E+D |
9 |
9 |
9 |
- |
E |
5 |
5 |
5 |
- |
E |
5 |
5 |
5 |
|
M+E |
18 |
9 |
9 |
|
R |
18 |
9 |
9 |
8 |
REDEEMER |
73 |
46 |
46 |
|
|
7+3 |
4+6 |
4+6 |
8 |
REDEEMER |
10 |
10 |
10 |
|
|
1+0 |
- |
- |
8 |
REDEEMER |
1 |
1 |
1 |
1 |
I |
9 |
9 |
9 |
4 |
HAVE |
36 |
9 |
9 |
1 |
A |
1 |
1 |
1 |
5 |
DREAM |
41 |
23 |
5 |
5 |
TODAY |
65 |
20 |
2 |
16 |
Add to Reduce |
|
|
|
1+6 |
Reduce to Deduce |
1+5+2 |
6+2 |
2+6 |
|
Essence of Number |
|
|
|
4 |
READ |
29 |
19 |
1 |
2 |
ME |
18 |
18 |
9 |
7 |
DREAMER |
64 |
37 |
1 |
5 |
DREAM |
41 |
23 |
5 |
3 |
THE |
33 |
15 |
6 |
5 |
RIGHT |
62 |
35 |
8 |
5 |
DREAM |
41 |
23 |
5 |
7 |
DREAMER |
64 |
37 |
1 |
25 |
Add to Reduce |
|
|
|
2+5 |
Reduce to Deduce |
2+4+1 |
1+3+3 |
2+5 |
|
Essence of Number |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
- |
- |
4 |
18 |
5 |
1 |
13 |
5 |
18 |
|
|
|
6+4 |
|
|
1+0 |
|
|
|
- |
- |
4 |
9 |
5 |
1 |
4 |
5 |
9 |
|
|
|
3+7 |
|
|
1+0 |
|
|
|
|
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
10 |
1+0 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
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|
|
|
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|
|
|
|
|
|
|
|
|
|
|
|
|
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|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
18 |
1+8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2+6 |
|
|
|
|
|
|
|
|
|
|
1+9 |
|
|
|
|
3+7 |
|
1+9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
4 |
|
5 |
1 |
4 |
5 |
|
|
- |
1+0 |
- |
|
|
- |
1+0 |
- |
1+0 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
- |
4 |
18 |
5 |
1 |
13 |
5 |
18 |
|
|
|
6+4 |
|
|
1+0 |
|
|
|
- |
4 |
9 |
5 |
1 |
4 |
5 |
9 |
|
|
|
3+7 |
|
|
1+0 |
|
|
|
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
10 |
1+0 |
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
18 |
1+8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+9 |
|
|
|
|
3+7 |
|
1+9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
4 |
|
5 |
1 |
4 |
5 |
|
|
- |
1+0 |
- |
|
|
- |
1+0 |
- |
1+0 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
7 |
R+E+A+D+E+S+T |
72 |
27 |
|
2 |
M+E |
18 |
9 |
|
7 |
D+E+A+R+E+S+T |
72 |
27 |
|
16 |
Add to Reduce |
162 |
63 |
18 |
1+6 |
Reduce to Deduce |
1+6+2 |
6+3 |
1+8 |
7 |
Essence of Number |
9 |
9 |
9 |
|
|
|
|
|
|
|
|
|
- |
|
|
- |
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
- |
- |
|
- |
- |
|
|
|
|
|
1 |
|
- |
|
|
- |
|
|
|
|
|
1 |
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
|
|
|
19 |
|
- |
|
|
- |
|
|
|
|
|
19 |
|
|
|
|
3+8 |
|
|
1+1 |
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
- |
- |
9 |
5 |
1 |
4 |
5 |
|
2 |
- |
4 |
5 |
- |
4 |
5 |
1 |
9 |
5 |
|
2 |
|
|
|
6+1 |
|
|
- |
|
|
|
- |
- |
18 |
5 |
1 |
4 |
5 |
|
20 |
- |
13 |
5 |
- |
4 |
5 |
1 |
18 |
5 |
|
20 |
|
|
|
1+2+4 |
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
- |
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
- |
- |
18 |
5 |
1 |
4 |
5 |
19 |
20 |
- |
13 |
5 |
- |
4 |
5 |
1 |
18 |
5 |
19 |
20 |
|
|
|
1+6+2 |
|
|
- |
|
|
|
- |
- |
9 |
5 |
1 |
4 |
5 |
1 |
2 |
- |
4 |
5 |
- |
4 |
5 |
1 |
9 |
5 |
1 |
2 |
|
|
|
6+3 |
|
|
|
|
|
|
|
16 |
|
|
|
|
|
|
|
- |
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
1 |
|
|
1 |
|
|
|
|
|
|
|
1 |
|
|
1 |
|
|
|
|
occurs |
x |
|
= |
|
|
|
|
|
|
|
|
|
|
|
2 |
|
|
|
|
|
|
|
|
|
|
2 |
|
|
|
occurs |
x |
|
= |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
|
|
|
|
|
|
|
|
|
|
|
|
4 |
|
|
|
|
4 |
|
|
4 |
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
12 |
1+2 |
|
|
|
|
5 |
|
|
5 |
|
|
|
|
5 |
|
|
5 |
|
|
5 |
|
|
|
|
|
occurs |
x |
|
= |
25 |
2+5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
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|
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|
|
|
|
|
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
occurs |
x |
|
= |
18 |
1+8 |
|
|
|
|
|
|
|
|
|
|
- |
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2+4 |
1+6 |
|
|
|
|
|
|
|
- |
|
|
- |
|
|
|
|
|
|
|
|
|
2+1 |
|
|
1+6 |
|
6+3 |
|
2+7 |
|
|
|
|
|
|
|
|
|
- |
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
5 |
1 |
4 |
5 |
1 |
2 |
- |
4 |
5 |
- |
4 |
5 |
1 |
|
5 |
1 |
2 |
|
|
|
- |
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
- |
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
- |
- |
|
- |
|
|
|
|
|
1 |
|
- |
|
|
- |
|
|
|
|
|
1 |
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
19 |
|
- |
|
|
- |
|
|
|
|
|
19 |
|
|
|
|
3+8 |
|
|
1+1 |
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
- |
9 |
5 |
1 |
4 |
5 |
|
2 |
- |
4 |
5 |
- |
4 |
5 |
1 |
9 |
5 |
|
2 |
|
|
|
6+1 |
|
|
- |
|
|
|
- |
18 |
5 |
1 |
4 |
5 |
|
20 |
- |
13 |
5 |
- |
4 |
5 |
1 |
18 |
5 |
|
20 |
|
|
|
1+2+4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
- |
18 |
5 |
1 |
4 |
5 |
19 |
20 |
- |
13 |
5 |
- |
4 |
5 |
1 |
18 |
5 |
19 |
20 |
|
|
|
1+6+2 |
|
|
- |
|
|
|
- |
9 |
5 |
1 |
4 |
5 |
1 |
2 |
- |
4 |
5 |
- |
4 |
5 |
1 |
9 |
5 |
1 |
2 |
|
|
|
6+3 |
|
|
|
|
|
|
16 |
|
|
|
|
|
|
|
- |
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
1 |
|
|
1 |
|
|
|
|
|
|
|
1 |
|
|
1 |
|
|
|
|
occurs |
x |
|
= |
|
|
|
|
|
|
|
|
|
|
2 |
|
|
|
|
|
|
|
|
|
|
2 |
|
|
|
occurs |
x |
|
= |
4 |
|
|
|
|
|
|
4 |
|
|
|
|
4 |
|
|
4 |
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
12 |
1+2 |
|
|
|
5 |
|
|
5 |
|
|
|
|
5 |
|
|
5 |
|
|
5 |
|
|
|
|
|
occurs |
x |
|
= |
25 |
2+5 |
|
|
|
|
|
|
|
- |
- |
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
occurs |
x |
|
= |
18 |
1+8 |
|
|
|
|
|
|
|
|
|
- |
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+6 |
|
|
|
|
|
|
|
- |
|
|
- |
|
|
|
|
|
|
|
|
|
2+1 |
|
|
1+6 |
|
6+3 |
|
2+7 |
|
|
|
|
|
|
|
|
- |
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
5 |
1 |
4 |
5 |
1 |
2 |
- |
4 |
5 |
- |
4 |
5 |
1 |
|
5 |
1 |
2 |
|
|
|
- |
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
9 |
9 |
|
4 |
|
49 |
13 |
|
2 |
|
14 |
5 |
|
3 |
|
64 |
13 |
|
9 |
|
82 |
28 |
|
2 |
|
23 |
14 |
|
6 |
|
61 |
34 |
|
8 |
|
104 |
41 |
|
|
First Total |
|
|
|
3+5 |
Add to Reduce |
3+9+1 |
1+5+7 |
4+0 |
|
Second Total |
|
|
|
|
Reduce to Deduce |
1+3 |
1+3 |
|
|
Essence of Number |
|
|
|
3 |
|
33 |
15 |
|
6 |
|
96 |
33 |
|
4 |
|
49 |
13 |
|
2 |
|
7 |
7 |
|
|
First Total |
|
|
|
1+5 |
Add to Reduce |
1+8+5 |
6+8 |
2+3 |
|
Second Total |
|
|
|
|
Reduce to Deduce |
1+4 |
1+4 |
|
|
Essence of Number |
|
|
|
5 |
|
56 |
20 |
|
3 |
|
33 |
15 |
|
4 |
|
27 |
18 |
|
5 |
|
64 |
28 |
|
|
Add to Reduce |
|
|
|
1+7 |
Reduce to Deduce |
1+8+0 |
8+1 |
1+8 |
|
Essence of Number |
|
|
|
3 |
|
33 |
15 |
|
7 |
|
93 |
39 |
|
5 |
|
45 |
18 |
|
|
Add to Reduce |
|
|
|
1+5 |
Reduce to Deduce |
1+7+1 |
7+2 |
1+8 |
|
Essence of Number |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
8 |
|
|
|
|
|
|
|
9 |
|
|
|
|
|
|
1 |
|
|
|
2+4 |
|
|
- |
|
|
|
|
|
8 |
|
|
|
|
|
|
|
9 |
|
|
|
|
|
|
19 |
|
|
|
5+1 |
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
|
|
|
|
|
7 |
|
3 |
|
7 |
|
|
5 |
|
|
|
|
4+8 |
|
|
1+2 |
|
|
|
|
|
|
5 |
|
|
|
|
|
16 |
|
3 |
|
7 |
|
|
5 |
|
|
|
|
1+2+0 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
20 |
8 |
5 |
|
6 |
12 |
25 |
13 |
16 |
9 |
3 |
|
7 |
1 |
13 |
5 |
19 |
|
|
|
1+7+1 |
|
|
|
|
|
|
|
2 |
8 |
5 |
|
6 |
3 |
7 |
4 |
7 |
9 |
3 |
|
7 |
1 |
4 |
5 |
1 |
|
|
|
7+2 |
|
|
|
|
|
|
15 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
|
|
occurs |
x |
|
= |
|
- |
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
3 |
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
8 |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
10 |
1+0 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
|
|
|
|
|
|
|
|
|
|
|
|
7 |
|
|
|
7 |
|
|
|
|
|
|
|
occurs |
x |
|
= |
21 |
2+1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
8 |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
9 |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4+5 |
|
|
1+5 |
|
7+2 |
|
4+5 |
|
|
|
|
|
O |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
2 |
8 |
5 |
|
6 |
3 |
7 |
4 |
7 |
9 |
3 |
|
7 |
1 |
4 |
5 |
1 |
|
|
- |
|
|
- |
|
- |
|
- |
|
|
|
|
|
O |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
